![]() Flaubert’s French contemporaries Stendhal and Balzac had already written novels that were considered realist, and Flaubert was persuaded by his friends to tackle a realistic, down-to-earth subject in a novel too. When Flaubert wrote Madame Bovary in 1856, the age of Romanticism was winding down and the notion of realism in contrast to the idealism of Romanticism was gaining traction. In terms of stylistic technique, the realist novel’s approach to its subject matter is straightforward and detached, almost analytic in its description of characters and events. It focuses on characters in a social setting and delves deep into their psyche. According to the twentieth-century scholar Rene Wellek, the aim of realist literature is “the objective representation of social reality.” The realist novel is concerned with contemporary life and everyday, commonplace scenes. Literary realism is the attempt of literature to represent subject matter truthfully, without artificiality or elaborate artistic conventions and implausible or supernatural elements. In order to understand why Madame Bovary is hailed as an anti-romantic, realist piece of literature, and to what extent such a classification is true, it is first important to understand what realism in literature means. ![]()
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